Model wearing Bonnie Cashin. Vogue 1952.
(Henry Clarke/Condé Nast Collection/Getty Images)
Model wearing Bonnie Cashin. Vogue 1952.
(Henry Clarke/Condé Nast Collection/Getty Images)
FASHIONREDEF PICKS
Special Edition: Spheres of Influence, 2017
HK Mindy Meissen, curator December 29, 2017
QUOTABLES!
quote of the day
I'm happier about my friends than I am about my work. I still have a long way to go with work. My friends, that's the one thing I'm sure about.
Azzedine Alaïa, 2009
fashion
rant n' rave
rantnrave://

"Influence" was a pervasive term in 2017, often associated with social media and advertising. For this special edition, I've taken a different approach, picking stories that explore influence more broadly in terms of authenticity, labor, design, and style. The stories' subjects may not have social media or advertising reach, but they exert influence at pivotal places in the world: a university professor, a novel's translator, government workers who forge everyday policy in WASHINGTON, D.C., online communities of streetwear fans, a writer on his connection to style through G.I. JOE action figures, and a whole lot more. Below are 20 of my favorites. Have a safe and happy new year. Bonus reads: an influential patternmaker, a veteran runway pit photographer, GUY TREBAY on overalls, and the entire series, "A Decade in Digital" from the team at FASHIONISTA.

HK Mindy Meissen, curator

December 29, 2017

The Other Shinola

Photographer Camilo José Vergara has been returning to Detroit annually for 40 years. He documents the destruction and the ruins but he has also been recording the signs and murals of the city, the visual legacy of African American culture. Vergara proposes these images could be used to create an alternative to the luxury Shinola brand, a locally-produced range of goods inspired by Detroit's folk art.
media fashion

(POST-)EMPIRE STATE OF MIND: Emily Segal on Cat Marnell’s 'How to Murder Your Life'

New York/Berlin artist, brand-consultant, and cofounder of the trend forecasting group K-HOLE, Emily Segal gives her take on the new memoir by the ex-Condé Nast, ex-XoJane, New York beauty-blogger Cat Marnell, finding, in this TMI-account of post-millennial (post-digital, post-Gawker) media culture, a new proposition as to who and what we might take to be feminist now.
media fashion

On Mercantile Liaisons

"Fashion weeks are peculiar rituals stretched over ever expanding slices of the annual calendar in which fashion professionals prove their worth. They are like the Olympic Games of glamour: designers show off their ability to catch and direct the Zeitgeist, stylists their editing skills, writers and critics their wit in making all this colourful blurb comprehensible for the general public, even when the actual message is little less than the emperor’s new clothes."
media fashion

The ontology of the fashion model

"The concept of ‘the model’ differs between fine art, design, architecture, fashion, photography and new media, and offers an intriguing mix of things: it can be a rudimentary sketch, an ideal, a miniature, a set of instructions, a maquette or a prototype... But only in fashion is the model a living, breathing human being; and only in fashion does this creature have an inert counterpart, in the form of the dress she wears, also known as the model."
media fashion
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